
Eric Marczak was the
featured speaker in September. Eric demonstrated inlay techniques which
could be adapted to turning projects.
Using guitar
construction as the example, Eric showed how inlay techniques of used in
guitar fabrication can be used for bowls and other turning projects.
Eric builds up micro
stacks of inlay material from selected veneers. Thin purfling rods
(approximately .8 mm thick) of veneer are individually glued together to
construct wider strips. The strips are in turn are stacked into “logs”.

The process of building
the logs (essentially a bundle of very thin rods) from differently colored
wood produces a pattern on the end grain. The logs are sliced across the end
grain – and the slices become the inlay material – a technique known as
Tunbridgeware. Building the patterns is limited only by imagination. Bill
Westlake’s first attempt for guitar inlay is pictured.

A variant of this
process – oyster shell veneering – can be used to slice branches of wood
across the end grain, so that, when laid side-by-side, the growth rings seen
in the slices resemble a spider web pattern. Thin slicing of the material
(1mm thick) – for either logs or branches -- can be accomplished with a thin
kerf Diablo 40 tooth blade. Eric uses a 7 ¼” blade and de-gums the blade
frequently (Easy-Off oven cleaner works well).
Generally, PVA glue is
used create the logs, in order to reduce discoloration of the wood. CA glue
is used to install the slices or purfling rods in the grooves created for
this purpose.
Small grooves in a
turned piece can be created with a homemade tool – an Allen key ground as a
square edge scraper to the desired width of the groove.
The next meeting is
scheduled for October 12 with Steve Sherman demonstrating turned and
hollowed Christmas ornaments. A Learn’n Turn session will also begin on
Saturday, October 1 and conclude with a second session on Saturday October
22. Contact Stan Rosenberg to sign up.
References for Inlay
Material and Information:
http://www.lmii.com
http://www.stumac.com
Courtnall, Roy,
Making Master Guitars, Robert Hale & Co., 2002